What does Beneath realize about her identity?
Despite the author assigning her a name that symbolically puts her in a category “beneath” the others in the Younger family, and points to her immaturity, this young woman is not happy to play that part. Throughout the play, she proves that she is willing to change and learn more about herself and her roots. Despite being teased about her attempts at self-expression, she keeps at It, changing her hairstyle and clothing when Sagas challenges her.
Even the fact that she refuses to be stereotyped ND wants to be a doctor shows that she realizes she is more than others make her out to be.
Why does Beneath choose to not go with George or Sagas?
Beneath is in a unique situation, being pursued by two very different men. At first, George is very attractive because of his confidence and financial security. As time goes on, however, Beneath cannot relate to George, considering him a sellout to his black roots. George is perfectly happy to assimilate into the white American Dream, just as Sagas comes on the scene and turns her head around.
Not only is Sagas romantic, he halogens her to grow up , follow her dreams, and discover her African roots. This seems a lot more exciting than just following George around like a puppy. As attractive as a move to Africa would be, Beneath does not actually chose to go with Salsas by the end of the play. She might, but she seems determined not to give up her dream of studying to become a doctor. When does Walter become head of the household? After Walter’s father dies, he and all the Younger look forward to the $10,00 life insurance check.
Each has a dream to fulfill with it: Lens’s new house, Walter’s liquor Store and Beanie’s medical school education. Walter’s mother, Lena, seems in charge until she finally gives In to Walter and trusts him with the remaining money after she puts a down payment on a house In a white neighborhood. It would seem like Lena Is handing over the reins to her son as head of household. However, his position isn’t fulfilled until he becomes the true’ head of the household by being a role model for everyone. He does this by rejecting Mr.. Lender’s extortion money in exchange for them not moving into a white neighborhood.
Why does Beneath not like Mrs.. Johnson?
It is understandable that Beneath does not like their pushy neighborhood, Mrs.. Johnson. While most of the Younger seem stuck In the “place” they are put by racist White America, Beneath Is more adventurous Ana tattletale wants to explore near roots Ana Dread out AT ten Imposed stereotypes. When Mrs.. Johnson hears that the Younger are ready to move on and up into a white neighborhood, her Jealousy gets the best of her. She brings over a newspaper article about a black family bombed out of their house in a white neighborhood.
That is not exactly friendly news to share with anyone who is moving into the same situation.
What is Handlebar’s attitude toward the search for African Identity?
I think it’s pretty clear that there is a lot of Handlebars in her play, especially in Beneath character. Handlebars dedicated her life to fulfilling her dreams and breaking barriers. She was the first black playwright and played a key role in the civil right’s movement. In 1938, her real family did what the Younger did, moved to a white neighborhood, where Mrs.. Johnny’s predictions of disaster came true.
The family was viciously attacked ND forced to move, which led to a Supreme Court case ruling that restrictive covenants were illegal. Handlebars dissatisfaction with the way African-Americans were treated as “beneath the” whites is a predominant theme throughout the play. Sagas awakens Beneath awareness of an African identity by introducing her and the audience to Nigerian dress, folk songs, music and native hairstyles. While this seems perfectly normal to us today, when Handlebars wrote this play she was opening eyes and challenging blacks and whites alike to accept an African identity apart from that of the slave identity.